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I live in Bedford, England. Having retired from teaching; I am now a research student at the University of Bedfordshire researching into Threshold Concepts in the context of A-level Physics. I love reading! I enjoy in particular fiction (mostly great and classic fiction although I also enjoy whodunnits), biography, history and smart thinking. I have also recently become a keen playgoer to London Fringe Theatre. I enjoy mostly classics and I read the playscripts and add those to the blog. I am a member of Bedford Writers' Circle. See their website here: http://bedford-writers.co.uk/ Follow me on twitter: @daja57

Thursday, 12 February 2015

"A Gun for Sale" by Graham Greene

Raven is a hired killer. He assassinates the old minister and his secretary. This put Europe (this book was written in 1936) on the brink of war as countries blame one another for the political killing. But Raven is paid £200 by Mr Cholmondley and when he gets back to his London flat he finds the police looking for him because the notes are on a list of stolen money. So Raven has to trail Cholmondley to Nottwich to seek revenge.

Also on the train to Nottwich is Anne, the actress girlfriend of Mather, the Scotland Yard detective who is pursuing Raven.

The joy of this thriller is the spare prose which Greene uses; this captures perfectly the bleak lives of the characters. And every character is brought to life, even the bit parts, from the medical student who, being made to strip at gunpoint, is acutely aware of the hole in his pants to the chorus girl who goes for a meal with the show's producer. "I fling myself at men," she says, "but I never seem to hit them" in a wonderful moment of humour almost at the very end of the book, straight after the tragic climax. As for Raven, he may be a crook and a murderer but he had a rotten start in life. We feel for him in his weakness and his shabbiness and his fears.

This book is indeed almost Shakespearean in its concern to flesh out even minor characters and the careful construction of the plot (and the slightly contrived web of coincidences that make up the main story). But the taut prose is pure Greene. In many ways  its dramatis personae reminded me of Stamboul Train. On the other hand, the way that Greene writes about murder and political conspiracy set firmly within a thoroughly everyday English context, with seediness and need and insecurity the background to all of us, high or low, is a little like The Ministry of Fear.

But this excellent book transcends them both.

February 2015; 182 pages

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