Showing posts with label Waugh. Show all posts
Showing posts with label Waugh. Show all posts

Wednesday, 6 July 2016

"Black Mischief" by Evelyn Waugh

I'm reading this because a few days ago the BBC described Waugh as one of our greatest novelists.

This is a mildly amusing comic novel which is set in an African coastal nation ruled over by an Emperor (the grandson of an adventurer) who has just won a civil war against his father; the soldiers are mostly 'ignorant savages' of different tribes. The book attempts to make you laugh by lampooning the racial stereotypes of the various people in the Empire. To a modern eye it is entirely tasteless. It casually uses a number of words that are offensive today.

The question is: does one attempt to judge this book by the standards of its own time, when such things were unremarkable, or by the standards of today? After all, Huck Finn has the character Jim, a runaway slave, who is referred to using a word that is unacceptable these days. Othello is racially abused, as is Shylock. If Shakespeare and Mark Twain can get away with it, why can't Evelyn Waugh? Does it depend on how good the art is?

Waugh pokes fun at everyone from dinner partying socialites in England to poor black women. But he doesn't really construct characters. Shakespeare's Shylock is a rounded character and has strengths and weaknesses: Shakespeare is both presenting a racial stereotype and questioning it. But Waugh seems to accept the stereotypes he presents. This is lazy humour, cheap humour, and casts doubt on Waugh's status as a great novelist, let alone one of the greatest.

There are moments of witty humour eg "Basil came in, so unlike the barrister of her dream that it required an effort to recognize him." This reminded me of the light comedy of Oscar Wilde in the Portrait of Dorian Gray. But it isn't as clever as Wilde. It certainly isn't nearly as funny as P G Wodehouse.

Waugh has written better stuff. A Handful of Dust is slightly racist and also full of insubstantial wit but there are serious, even black, undertones which are well-handled. The Loved One is mostly superficial and meaningless but inoffensive.

July 2016; 221 pages

Thursday, 14 November 2013

"The loved one" by Evelyn Waugh

This is set in post-war California. Dennis, a British poet, has left a movie studio to work at the Happier Hunting Grounds pet cemetery. He meets and falls in love with a mortician at the much classier Whispering Glades, where they process human stiffs. Waugh lampoons the falseness of Californian sentiment from the way they paint corpses to the inscriptions on the fake church and the fake Scottish love seat in the Glades. Whispering Glades is a theme park dedicated to death.

But The Loved One is a brittle drawing room comedy poking light fun at the fake Californianisms. It is gentle humour. There seems to be no substance. One cannot believe in the reality of Dennis either when he falls in love with his mortician or when he loses her. It is all superficial and meaningless and so as fake as the cemeteries and as the movies that Waugh gently attacks.

Slightly humorous. November 2013; 127 pages

At least it was better than Black Mischief!

Sunday, 29 September 2013

"A handful of dust" by Evelyn Waugh

Tony Last is the quintessential English squire. He lives for the family home, spending all he has to keep it going. He goes to church twice on Sundays and hosts the local hunt, although he does not ride himself. He enjoys his quiet life even though it bores his wife.

So Brenda starts an affair with the totally worthless John Beaver, a boy who lives with his mother and tries to persuade people to let him come to parties as an alternative to working; his mother arranges interior decorating  for her society friends for outrageous commissions. But Brenda becomes obsessed with Beaver.

Tony trusts her. When, in tragic circumstances, he discovers her betrayal (this is about the middle of the book), he seeks to arrange an honourable divorce but she tries to double-cross him seeking outrageous alimony and he decides instead to go abroad. He goes on an expedition into the Amazon jungle in search of a lost city (I was irresistibly reminded of the 'Lost city of Z' which chronicles the obsession with Amazon exploration between the wars). Will he return?

This was an odd sort of book. It started as a typical Waugh comedy, poking fun at the manners of the upper classes. Half way through it lurches into tragedy as Waugh explores the consequences of Brenda's casual infidelity. Even then, as Tony seeks a divorce, we enjoy farce. The last section, exploring in Brazil, is no longer funny. Although the situation, and the people, are absurd and ridiculous, it is a life and death struggle and too sinister for Waugh's normal superficial touch.

In many ways this makes the book. The comedy is witty but insubstantial but Waugh is able to handle the horror behind the clown's mask. His characterisation of a father reacting to the death of his son, whilst in one sense poking fun at the British stiff upper lip, is sensitive and beautifully drawn. There are some marvellous descriptions ("He was prematurely, unnaturally stout, and he carried his burden of flesh as though he were not yet used to it; as though it had been buckled on to him that morning for the first time and he were still experimenting for its better adjustment"). It is slightly marred by racism ("This place stinks of Yids, said Baby" and later descriptions of niggers). But generally this is a great and well-written story.

September 2013; 221 pages