Dave's Book Blog: "Ivy: the Life of I. Compton-Burnett" by Hilary Spurling

Sunday, 27 October 2024

"Ivy: the Life of I. Compton-Burnett" by Hilary Spurling

Ivy Compton-Burnett wrote short, heavily-mannered novels. Their settings are traditional, often revolving around an upper-middle-class family in a big house, with servants. But her style was revolutionary. An early reviewer (Raymond Mortimer in the New Statesman in 1935) said: “At first sight her work strikes you as clumsy and heavy-fisted; her figures, though solid, are not what is called ‘life-like’, and she composes her books on highly defined and artificial designs. In fact, she is open to all the reproaches laid upon the founders of post-impressionism.” Natalie Sarraute (author of Tropismes and one of the pioneers of nouveau roman) ranked her with Marcel Proust, James Joyce, Virginia Woolf and Franz Kafka. She is almost completely forgotten today.

She was born as the eldest child from the second marriage of her father, an extraordinary man who rose from humble beginnings to become England's leading homoeopathic doctor. She had five surviving half-siblings and five full-siblings; not one of the children had children of their own. She herself died an unmarried virgin (her books show an early tolerance of homosexuality but there is no evidence that she herself was a lesbian). She was educated in Hove and in Bedford before attending university at Royal Holloway College. Her first novel Dolores showed the influence of George Eliot and Victorian writers, then the First World War intervened, bringing the break up of her family home (which Ivy had ruled like a tyrant after the death of her mother), the death of favourite brother and the death by suicide of her two youngest sisters. She set up home with another woman, Margaret Jourdain, "a published poet and prose poet, an editor and essayist, translator and disciple of Baudelaire and the symbolists, as well as a regular reviewer for the literary weeklies.” who specialised in books about the decorative arts. Then, in 1925, she published Pastors and Masters and her new style was born. Over the next forty years she wrote another eighteen books. She died a Dame and widely revered by other writers such as L P Hartley (author of The Go-Between), Rosamund Lehmann (Invitation to the Waltz), Elizabeth Bowen (The Heat of the Day) and Elizabeth Taylor (Mrs Palfrey at the Claremont).

This biography gives a real flavour of her life and places it squarely in the context of her childhood; her work is referred to wherever possible (which means that the books sometimes appear in non-chronological order). There are a lot of characters (Ivy's ten siblings, Margaret's nine - and none of them reproduced either - not to mention friends, other relations, and other writers, and I sometimes had to make notes to keep track of them all. But the book seems to manage the trick of being exhaustive while not exhausting, comprehensive while not over-detailed, thorough and yet readable. I doubt it will be read by anyone who is not one of ICB's small and dwindling number of fans, but the effort is more than worthwhile.

Selected quotes:

“Ivy seems to have been a [page break] resolutely reticent small girl, learning early that principle of concealment which was afterwards invariably central to her theory of survival.” (Ch 2)
"Ignorance ... enables the insensitive safely and with a good conscience to practise all forms of meanness.” (Ch 3)
“We weren't allowed bicycles in case we will run over, we weren't allowed to swim in case we drowned, we weren't allowed to ride in case we had a fall.” (Ch 5)
“Margaret herself sided emphatically with the spinsters in Ivy's books who are apt to reply to any suggestion that marriage might mean a fuller life: ‘ I don't want the things it would be full of’.” (Ch 11)
"Reading ‘Elders and Betters’ was like sucking a lemon ... she often felt inclined to hurl the lemon to the far end of the room but was aware that she would have to get up and pick it up again.” (Ch 14)

October 2024; 545 pages