Wednesday, 23 July 2025

"Magus" by Anthony Grafton


This book traces the rise of learned magic, from its medieval origins to the synthesis that Agrippa created in 1533.” (Introduction)

I think it is written for the specialist rather than the general reader. I found it confusing. Part of the reason for this is the structure of the book: each chapter focuses on the work of one or more scholars, for example, Nicholas of Cusa, Roger Bacon, Pico della Mirandeola, Johannes Trimethius and Agrippa. This meant that the information on, for example, 'natural' magic was broken up as we considered, in turn, what each of these authorities felt about it. I gained the general sense that the issue facing each of them was how to distinguish 'natural' magic (which seemed to mean the marvellous effects that could be produced by science and engineering) which was somehow 'good' from the rest which were snares and delusions set by the devil and his demons. (I suppose this equates with the issue facing alchemy - usually just off-stage in this book - of how to distil what we now call chemistry from the dross of superstition.)

Other reasons I was confused was that sometimes the author seemed to expect me to know more than I did. For example, in chapter 3 he states: “The established Latin magical library came from polyglot sources: Jewish and Muslim but also Greek. Some texts, such as the Latin Picatrix, derived their contents from even more exotic quarters.” What were these 'more exotic quarters'? I wondered. Unfortunately, he doesn't say, nor could wikipedia help.  (107) [It does n’t say where, which is frustrating. Wikipedia suggests that it is primarily Arabic; it doesn’t suggest it goes any further than Arabic, German, Greek, Latin and perhaps some early Christian]

I got even more confused about a polyglot called Samuel bin Nissim Abulfaraj who was baptized as Guglielmo Raimondo Moncada and used the pen name Mithridates VI Eupator Dionysis of Pontus. Having given all these names, Grafton then refers to him without warning as ‘Flavius’. Grafton gives no clue as to the identity of Flavius. I had to resort to Google to discover that Flavius was the first name of Mithridates. 

Selected quotes:
  • The masters of the art of hydromancy ... believed that God had not created water since the Book of Genesis described the spirit of God as hovering over the waters.” (Ch 2)
  • ‘Meeting monks is generally considered an evil omen, and all the more if it takes place in the morning. For that sort of man lives mostly from the charnel house, as vultures live off corpses.'" (Ch 5, quoting Agrippa)
Heavy-going.

July 2025; 219 pages

First published in 2023 by Harvard University Press, USA

My paperback edition was issued by Penguin Books in 2025



This review was written by

the author of Bally and Bro, Motherdarling 

and The Kids of God



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