Then we trudge through the forger's history, sometimes from the diary he is writing, sometimes from the notes added to the diary by the Jesuit half of his split personality, and sometimes from the perspective of the Narrator. We go through his time fighting with Garibaldi and his transfer to Paris. He then works for various secret services, getting involved in a variety of famous plots. He works to discredit satanists and Freemasons and Catholics and Jews. He is involved in the Dreyfus plot and writing the Protocols of Zion; there is a scene at a satanic orgy.
But it rambles. It is boring. Eco sometimes goers on for a whole page about nothing such as when he lists the Masonic titles of one character for twenty lines (pp 406-407). There are scenes which Eco calls coups de theatre such as the meeting of rabbis in the Prague cemetery, the black mass orgy, and the bodies in the sewer; these are rather cliched. The forger-hero has almost no personality except for a love of good food (another opportunity for Eco to show off his erudition by listing dishes in French) and as a result I really couldn't care about him. Huge dramatic moments such as his first killing are thrown away because he has so little character that these are just another episode for him. As a result, the fact that he suffers from a split personality and has amnesia prompted by a crisis seems rather implausible.
Eco wrote the wonderful The Name of the Rose; this dreadful book is so disappointing.
More recently (2022) Eco has written Numero Zero: more conspiracy theories, this time centring around the death of Mussolini.
Ramshackle and tedious. March 2013; 556 pages.
Ramshackle and tedious. March 2013; 556 pages.
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